I didn’t do a great job of hiding my identity with that other username, but that was mostly to avoid being attacked (which I feel some of the comments here are doing anyway, but that seems to come with the O&A territory), and to comment about Serch without using my name. Too late now.So, @PumiceT, what's the connection between you and @JacquesClouseau?
I'd also like to know how he gets his guests or even maintains any kind of presence that connects him to celebrities. He did some broadcasts with guys like Chris Rock and Neal Brennan that seemed to be something they felt obligated to do. He's not even a mediocre interviewer so there's obviously some kind of industry connection there but he doesn't have any visible career that gets him in with these people.
There seem to be a lot of minor (and a few major) celebrities who are 3rd Bass fans. [Most of the rap industry respects their music at the very least, and some still respect Pete and Serch. I have to assume these celebrities don’t follow too closely and don’t hear the stories of all the lies and schemes. To be blunt: they’re grinders. Some would say hustlers. Serch doesn’t like that being applied to him. I’ve seen him try to seem like an entrepreneur, but he jumps from project to project, which seems more like freelance hustling to me. He has no formal education beyond high school. He has a really good grasp of how business and finance works, knows marketing and entertainment, and his music industry knowledge always impressed me.] He uses his connections to reach out to people they know, and if they happen to be a fan and respect him, the connection is made and the interview happens. One of my tasks from the very beginning was to reach out to artists to set up interviews (initially for his radio show in Detroit). His name seems to carry some weight, and opens some doors. As you can imagine, there are others who see him as a clown and his name gets a quick brush off (it seems no one in the entertainment industry will give a clear “not interested,” they just kick the can down the road and hope it gets forgotten). He’d tell me to contact so-and-so because they talked and said they’d do the podcast. I’d call, text, or email the artist or their management, and the story would change, or I’d get no reply at all. I have to assume it’s like when people make plans for brunch after a night of drinking—it was just the nice thing to say at the moment, there’s no real plan there.